Gobelins Summer School Animation 2018 by Öykü Su Baskın


Summer is usually the time to rest, travel and go through your creative commute in your own pace. Or maybe go for a creative adventure to step up your game! Unfortunately, when it comes to Animation, the choices are a bit scarce- especially if you just got into this creative path. So rather than an internship, you might want to attend a summer school to learn more about your subject. Yet, most summer schools on Animation are truly beginners’ level, which might not be what you are looking for as a student or professional.

But hope is not lost. I would like to slide a consideration on your way, dear reader, which you should definitely consider. There is one Summer school in the dream city of Paris, which goes about this in a very professional way: Gobelins Summer School Animation.


The Application Process

I learnt about this course when I was bouncing around on the school’s website. I just thought it was the perfect opportunity to sharpen the skills I got from Year 1 in NUA. So I prepared a portfolio on January (with the help of NUA Animation Lecturer Helen Piercy) and went on the adventure. It is a two-week intensive course, held in Gobelins d’École d’Image in Paris. On the course you are given a task that should be completed within the two-week period. You also get to attend conferences in the mornings, given by people who teach at the school and/or still actively work in the industry. This might sound like a very classic, bit boring summer school but it’s definitely not. From the opening conferences and start talking with people around, you started to get immersed into the experience.


The Course Experience


After the relaxed first day of conferences, we got our task on Tuesday. Our task was to animate a 3-5 second animation. A choice of characters with model sheets and a background with three props to interact with was given as the only restriction (PS: The content of the task changes every year.) The lecturers want you to take it easy and not rush the process, making your keyframes and breakdowns solid and expressive. On your way, you will get a lot of things to consider and a lot of feedback from both lecturers and your coursemates, which will drive you to change your animation and your perspective on creating animation. It is an open environment with people who love animation and work hard for it, so feedback is honest and kind.


Conferences were one of the best part in the course. Over the two weeks, people from the industry (some also teach at Gobelins) come and give their perspective on creative progress and share stories (and horror stories) from their part of the industry. My favourite talks were by Sergio Pablos (Despicable Me, upcoming Klaus) and Florent de la Taille (Secret Life of Pets). Pablos’ view on animation and storytelling, I found it more close to how I am and what I want to do in life. He also showed a (personally) more realistic insight on running an independent company in this day and age. He talked about how to make a good pitch to present and how to create good characters. Florent’s presentation was spread over two days, and talked more on the practical side; How to build a scene? How to choreograph your shot? How to go about Keyframes, Breakdowns and Inbetweens? He also answered a lot of questions we had, and his delivery was fun, friendly and hilarious. In every conference, you also get to have a small insight on the daily life of development - even from rather new projects that will be coming soon!


And of course, the coursemates. You will be surprised how many people from very different countries (China, Spain, Brazil, Saudi Arabia, US and more...) and very different age groups (We had a few high school students to one architect in his mid 50s). This much diversity teaches you what is going on around the world and learn more about other cultures as well. Every person can inform you in a different subjects or make you consider different ways of looking at a subject and Animation. The adventures you go on with your new friends at the weekends, evenings or even in the morning commute together (in my case) through Port-Royal - sometimes just to gush about what was shown in the conference or rant about simple daily problems. It gives you power, that you are not alone. There is this large table to share ideas, the hidden gems you found, an open space to voice opinions and more. Lecturers are also very sweet, open and some has very interesting life stories to share. What better environment to learn and have fun at the same time!

my experience takeaway

Long story short, summer school is a great way to socialise with the people, talk to people working in the industry and sharpen your Animation skills. It was definitely an eye-opening experience, learning more about the industry on other countries, how to approach the Animation process and improve upon both theoretical and practical aspects of the subject. It’s a fun experience to go about your summer while growing your work. If you feel like going on an adventure and improve upon your creative practice, Gobelins Summer School is a good one to get involved in.



Tips on Surviving Summer School:

  • Get yourself ready: It is true that summer school is still much more relaxed than the normal school, you still gotta do some work! Try to keep your habit of drawing and animating to ease your way into the course. Also, bring a notebook and sketchbook to take notes - you will learn a lot!

  • Have an open mind: People from all over the world, from all sorts of backgrounds come to these courses. Some are university students, some are already professionals, some are just finishing high school - any of them can teach you something new and interesting, and are very able to give you feedback. As our lecturers say, “Kill your ego” and be a sponge of information and perspectives.

  • Talk and engage: When taking a small break, look around your classmates’ work, or have a small talk. Eat lunch with them. Share things with them. Go on adventuring the city with them. At the end of two weeks, you will be closely-knitted group hugging each other, crying over the fact that it is the last day.

  • Enjoy!  If you are considering an internship or a summer school, you are already achieving a lot. You decide to leave your comfy home in the heat of summer, to explore the lands of Animation. You are in the city of Paris in a nurturing environment, surrounded by other adventurers as excited as you. Work hard, explore hard and enjoy your time!


See more of Öykü’s work Instagram // Website

Find more about Gobelins Summer School Animation: https://www.gobelins-school.com/formation/summer-school-summer-school-animation


The Making of “The Twelve Principles of Animation Rap” By Graduate Haydn Spencer

“The Twelve Principles of Animation Rap” began life as a bullet point on a list of things that could be made to promote NUA ANIWIP conference (Norwich University of the Arts Work In Progress). I was intrigued as to how or what this would entail, so I volunteered to develop the idea further. After discussing with tutor Jon Dunleavy, I had an angle. It was to become a rap based on The Twelve Principles of Animation.

The Twelve Principles of Animation are a series of techniques that were devised and categorised by Disney animators Ollie Johnston and Frank Thomas, which are fundamental to creating a great animated performance. Here at Norwich University of the Arts, we are taught the principles in First Year, and we continue to refine our use of them through our graduation. 

I am not from a musical background, so the music production of the video was done through a lot of guesswork and ‘messing about’ to understand how music worked. The closest I’ve come to making any sort of song before this has been taking lyrics of existing songs and changing them so that they fit a new purpose. 

Brainstorming Ideas for the 12 Principles Rap

Brainstorming Ideas for the 12 Principles Rap


Storyboards by Elizabeth Fijalkowski

Storyboards by Elizabeth Fijalkowski

The aesthetic and design inspiration of the animation came from research into Eighties rap videos, and the ensuing decades’ desire to replicate them in affectionate parodies and pastiches. One particular design element I knew I wanted from the animation’s inception was a ‘graffiti wall’ for the characters to rap against, as a reference to the start of The Fresh Prince of Bel-Air intro sequence.

The delivery of the information was also inspired by various ‘edu-tainment’ style videos, designed to explain things in an entertaining way. During my time in GCSE Biology, we were shown a similar rap-style song that explained how camels were adapted to their environment, which stuck with me and helped me explain the desired direction I wanted the project to go in. 

I knew that a simplistic art style for the characters would help make the animation appealing. With fellow animator Elizabeth Fijalkowski, we developed the characters of Squash and Stretch to be simplistic shapes to represent their personalities and, as the designs developed, gave them floating limbs, which allowed for more animation potential. 

Character Designs by Elizabeth Fijalkowski

Character Designs by Elizabeth Fijalkowski

The production of the rap went into hibernation while, collectively, the university headed through deadlines. Third Year of university is hard work and you have to prioritise your workload efficiently to get the best results. 
Two weeks after deadline, the rap came back to life and together, with a team of students from across the course, we set to work generating dances and lip syncs to the audio. I would like to thank Elizabeth for all the editing work she did. It’s always important to have a trustworthy editor, and her composition and editing work really helped push the project further. 

Within two weeks, the animation had been completed. I am amazed at how quick the turnaround for the project has been, and am thoroughly impressed by the dedication of the animators on the team. 

The Twelve Principles of Animation Rap has been a fun personal project to develop, and I have enjoyed the collaborative nature of it. It’s been good to work alongside people I wouldn’t have otherwise been able to, as well as taking a directorial role. 

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See more of Haydn's work here: https://www.haydnimation.com


International festival of Animation Fest Anča 2017 - By Valentina Huckova



This summer I volunteered at an International Animation Festival called Fest Anča, surprisingly held in a small historic city of Žilina in my home-country Slovakia. The festival started on the 28th of July, on the same day as I flew to Slovakia for my summer holidays at home, so the timing was very tight but I am really glad I decided to go nevertheless as it’s proven to be an amazing networking experience on a personal and artist level as well.



I first became properly involved in volunteering when I signed up to be a PAL mentor at NUA towards the end of my first year at uni. This really opened my eyes to the world of opportunity which arises from volunteer work, and I started to look at the world differently, finding exciting things to fill my summer holidays with. The obvious choice for me was to participate in the International Festival of Animation, which is held in my country annually, yet which until now I haven’t had the chance to attend. This was the perfect opportunity.

As a volunteer, I helped with the organisational aspect of the festival only, even though I hoped I could make more use of my animation background. I was provided with a free entrance, free merchandise, and a volunteer t-shirt, free lunch every day and space in the tent-city area, as well as a massive brochure detailing the whole program and each of the short films played (a great resource of detailed information and inspiration)

Barry Purves. ©Festanca.sk

Barry Purves. ©Festanca.sk

I was able to freely enjoy the program of the festival during my time off, and I saw multiple screenings as well as the most important masterclasses and screenings of work by international guests Barry Purves, Paul Bush and Robert Morgan, who I got to speak to afterward. I made a closer acquaintance with Barry Purves, when I and my fellow volunteer friend (a recent Film and History of Art graduate) had questions for Barry after his screening, which sprouted a long discussion over lunchtime. We asked about his creative process and details of production and he asked us for feedback on his films in return, to get our account on if they work the way he intended. This was a pretty surreal experience for me, to speak to a professional animator who came from England to this small festival in Slovakia because until then I believed my country’s art industry to be very limited and this encounter proved me wrong.  

Barry Purves chatting to Valentina & friend. ©Festanca.sk

Barry Purves chatting to Valentina & friend. ©Festanca.sk

Later, I asked Barry if he’d be willing to give us a guest lecture at NUA and after being contacted by my tutors, he became the first visiting lecturer of the year (and remembered me, so we had a friendly chat before his talk) If I were to specialise in stop-motion this would be an amazing opportunity for me to try and get an internship, however, I am still mostly angled towards 2D digital. Barry also held a masterclass for animators on the night before the festival officially began, which I wasn’t able to attend due to my travelling, however, it would have been a great opportunity to meet Slovak junior and senior animator from the industry. On the other hand, our tutors have already arranged for Barry to give us a specialized workshop here at NUA, which will be even more useful!

Robert Morgan ©Festanca.sk

Robert Morgan ©Festanca.sk

I am also hoping we could get a visiting-lecture or class from Robert Morgan, whose masterclass I found super inspiring, even though his style is quite strong for my weak stomach. He talked us through his creative processes and showed us his very first inspiration to join the Animation industry, and he also screened a few of his short films, like ‘The Cat With Hands.’

Apart from meeting senior professionals from the British Animation industry, I was also confident and bubbly enough to chat to everyone who appeared to be speaking English and thus have made friends with recent animation graduates from all over the world, who entered their shorts into the competitions and were invited to the festival. One of these I’ve become friends with, Nicolas Petelski, and we exchange our work quite frequently, which is very inspiring for me to see and get feedback.

To reflect upon my experience, I definitely want to keep going to festivals of art to gather inspiration and social connections. It was an eye-opener for me, into the creative community in Slovakia and how it is not impossible to bring international talent into my small home-country.  In the near future I want to become more involved with this festival, both from the organizational point of view, as well as to submit my animations to hopefully have them screened!

Valentina's tips for being a volunteer...

  • Keep an open mind an a helpful attitude, visitors will likely expect the volunteers to know everything about everything, but fret not if you don’t and ask your fellow volunteers or the person in charge for help
  • Make sure you are geting enough in return for your hard work and time (be this food, freebies, or spiritual enlightenment)
  • Arrange transport and overnight accomodation in advance and try sharing with friends or other volunteers to split the costs
  • Be friendly and TALK to people, this is the only way networking happens and it’s likely that you will get to meet amazing people from the industry, so make use of it!
  • Lastly, stay safe and healthy and enjoy your time :)

Valentina Huckova is a Second Year Animator.

See more of Valentina's work: Instagram / Vimeo

Find out more about Fest Anča


An Adventure at Annecy - by Third Year Animator Haydn Spencer

Graduate Haydn Spencer visits Annecy International Animated Film Festival

I discovered the existence of the Annecy International Animated Film Festival in 2015, when some of my online friends had attended it. When they shared their experience on Facebook, I knew I had to go some day.

As I finished the second year of my animation course I felt this would be the best time for me to visit. So I planned my journey, got advice on what to see, how to get around and made my way.

Annecy International Animated Film Festival

Annecy is a really nice city. The main building that the Festival was hosted at Théâtre Bonlieu is just across the road from the huge open air screening, the lake and a view across to the mountain range. I was stunned by how the mountains loomed in the distance everywhere I went and everyone just went about their business. Since Norwich doesn’t have a mountain range, I was just in awe of them. There are also a lot of colourful buildings with grand architecture, large comfy cinema theatres and startlingly blue water.

Having never been before, and being unaware of Annecy Festival traditions, I was surprised by the amount of paper planes being thrown while the cinemas filled up. It was a completely different experience to going to the cinema any other day, and I found it hard time adjusting when I returned to England and no one was throwing paper planes and the like.The experience at Annecy was very informative, and helped develop my ideas on my practice, which is extremely useful as I enter my third year.

Annecy Animation Festival


NEW CREATIVE CONTEXTS: A shared talk with Jean-Baptiste Spieser of Teamto and Tom Box of Blue-Zoo about current and upcoming things in the industry. The Teamto talk was about the production pipeline and how it can change radically depending on productions. The Blue Zoo talk was also quite interesting as it explained how they built and overhauled their render farm, as well as how they collaborate creatively within their studio.

The Art of Visual Storytelling with WALT DISNEY ANIMATION STUDIOS: The two speakers were Nathan Engelhardt, an animation supervisor, and story artist Lissa Treiman (who had, coincidentally, illustrated the first few issues that got me hooked to the comic GIANT DAYS). This was a massively helpful talk, very much worth the wait. The two speakers talked about how to make good shots great, through the positioning of cameras to the two cores of 'greatness' in animation – truth and entertainment.

VIRTUAL REALITY is the future: Google Spotlight Stories had a VR station set up with new videos daily. I managed to catch the session on Thursday which presented a preview of SON OF JAGUAR (dir. Jorge Gutierrez) and ARDEN'S WAKE: PROLOGUE (dir. Eugene Chung, Jimmy Maidens). I had never understood the true potential of VR in animation until after watching these, so much so that after I'd watched them I wandered around Annecy in a daze. Arden's Wake was especially mind blowing, as you could actually walk into the setting and see it from all angles. This has made me want to experiment with VR in my own practice.

Annecy International Animated Film Festival


THE PEANUTS MOVIE (outdoor screening): Having seen this movie before in English, I was surprised at how easy to understand it was in French. The broad animation style of the movie definitely helped.

DESPICABLE ME 3: This is the first world premiere I have ever been to, and the atmosphere was wonderful. This was without a doubt one of the most active audiences I have ever been in. Whenever a joke hit, there would be a wave of laughter and applause, when one of the characters did something cute, there was a collective 'awww', even the applause at the end of the film ended up slipping into the same beat as the music of the credits.


CAPTAIN UNDERPANTS: I never read that many Captain Underpants books when I was younger, so I was pleasantly surprised with how funny this was. Much like The Peanuts Movie, it managed to capture the style of its source really well, whilst still giving it their own flair.

ZOMBILLENIUM: An adaptation of a French graphic novel. Before the film began, the crew were on stage and threw production caps into the audience. The film was very stylish, with bold colours and shapes for the characters and making the CG look 2D.


SHORTS: I caught several showings of graduation shorts and shorts in competition. I was amazed by the diversity of shorts on display, showing the talents from animators of all walk-cycles of life. Shorts that stood out to me were the following...

Wednesday with Goddard (dir. Nicolas Menard, Canadian/UK) – a humorous and existential journey as a man tries to find answers to whether or not God exists - https://vimeo.com/208812809

Double King Felix Cosgrove

Double King (dir. Felix Colgrave, Australia) – there is something in seeing this on a big screen that makes it all that more fun - http://bit.ly/2oqqLSl

Nachthexen (dir. Julie Herdichek Baltzer, Denmark) – A documentary short about the Nachthexen of WW2, animated in the style of Soviet posters - https://vimeo.com/204776636

The Burden (dir. Niki Lindroth Von Bahr, Sweden) – A musical stop motion based around anthropomorphic animals who are stuck in an anxious and existential space in their lives. Won this year's Cristal for a Short Film award - https://vimeo.com/200851149

Casino (dir. Steven Woloshen, Canada) – A musical, energetic drawn-on-film animation capturing the frenetic energy of a casino - https://vimeo.com/194099747

Annecy Animation Festival


1. Take care of yourself: In the height of summer in the south-east of France, Annecy is hot. But when you are standing, walking, waiting and surrounded by other people who are also hot, the heat becomes unbearable (so much so that my watch had condensation on it at several points). Drink lots of water, try to keep in the shade when waiting outside, remember to eat.

2. Learn key phrases in France: This is something I'm going to try and pick up should I go again. I used to know quite a bit of French, but having forgot most of it, struggled at points of my visit. A lot of the hosts are bilingual should you have any questions, but knowing the sound of general phrases and what they mean is helpful in a pinch.

3. Beat the crowd: The Festival's 'first come first seated' events will fill up fast, and the queues for the screening events might result in you not getting in if you don't book a place during ticketing. The 'first come first serve' events that I missed were with popular big names, such as a talk with Guillermo del Toro and another with the creators of The Amazing World of Gumball and Don't Hug Me I'm Scared, which I am still kicking myself over, so be sure to arrive early for those.

4. Patience is a virtue: The queueing process at Annecy is quite arduous, but the wait is always worth it. I got into the talk with Walt Disney Animation Studios by waiting two hours earlier. It pays off very much.

5. Be tactical: Annecy is a big festival in a big city. Events conflict and travel times might be longer than you expect if you are travelling by foot or if you need to retrace your steps. When it comes down to seeing a mainstream film or a studio focus talk, choose which one would be a more informative experience. This links in well with taking care of yourself too. If you haven't eaten or drank anything for a while and you are thinking of joining a queue for something that needs you to wait for an hour and a half in the sun, it's better to take care of yourself first and foremost.

6. If you can, go in a group: Not only will this be a 'strength in numbers' type deal, where you can book into the same events and wait together in the queue and tap out should you need to get food, but this experience is one to share if you are enthusiastic about animation and the like.

7. Don't be afraid to try: I hate plane travel. I knew very limited French. I have the worst sense of direction in the world at times. But I went to Annecy regardless of these things and actually had a brilliant time.

Haydn Spencer

Haydn Spencer is a Third Year Animator specialising in CG Animation

See more of Haydn's work: Website / Twitter / Instagram / Vimeo

Find out more about Annecy Animation Festival